#Monarchives

double vision

from village voice: Richard Linklater's stunning double feature at Cannes this year—A Scanner Darkly and Fast Food Nation—represented not the international supersizing of this always prolific and political American director so much as the ideal opportunity for his audience to engage in another Linklaterian game of comparative pop: positioning same-but-different philosophies opposite one another like facing mirrors, their reflections multiplying to the point of both dizzying revelation and what Scanner vividly defines as the "vague blur"...

#PumpUpThaVolume: September 18, 2020